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16 Blocks Streaming. Movie Title: 16 Blocks Average customer review: 16 Blocks is available for streaming or downloading. Click Here to Stream or Download 16 Blocks

Jack Mosley (Bruce Willis) is an aging, rundown, alcoholic cop who, at this stage of his career, finds himself at the bottom of the totem pole. Thus, he gets saddled with the menial errand of escorting smalltime thief Eddie Bunker (Mos Def) 16 blocks from the precinct to the courthouse, where Eddie will testify in a tremendous jury. But what begins as a routine assignment for Detective Mosley becomes a desperate command for survival as the bleary eyed, hung-over cop and his charge acquire themselves under relentless attack by focused, well-armed assailants intent on making determined Eddie doesn’t produce it to his court appointment.

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16 Blocks is a thinking man’s action thriller. Even though, on the surface, it looks like a suspense film, a case could be made for it to be considered a character sight relate. Amidst all the frenetic bullets and bound sequences, you’ll derive many moments of casual interaction, as gradual enacted by Willis, Mos Def and even Morse. Willis and Mos Def, in their mismatched buddy roles, set aside in some character acting and have several scenes where they objective have conversations (some on point, some non sequitur), in between the chases. Mos Def’s motormouth character, in particular, spends an inordinate amount of time unprejudiced riffing about suits and signs and bakeries.

Bruce Willis continues his current trend (observe Hostage) of portraying jaded, burnt-out cops who kill up seizing one last shot at redemption. He excels in playing this type of role: tired, world-weary, kicked-around, maybe even a puny foul, but, ultimately, someone not to be eff’d with and someone who can be depended upon to doggedly do the honest thing (Bruce seriously needs to patent this character) . Jack Mosley, as played by Willis, is laconic, chubby, shuffling, stuck on the bottom rung career wise, and has a dire craving for alcohol. But the audience never doubts he’ll man up when the chips are down.

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I’m a fan of Mos Def, from plan wait on when he was impartial a hip hop artist. Don’t accept me nasty, he was and is a grand rapper. He flows and rhymes with insight and intelligence. And he’s broad as the host of HBO’s Def Poetry. His natural, off-the-cuff style of acting is making folks sit up and pay attention (check out Brown Sugar, The Italian Job, and Something the Lord Made) . With 16 Blocks, he comes out of left field with his jazzy interpretation of Eddie Bunker: verbose, optimistic and a bit quirky. The only negative in his portrayal is the grating fashion in which he channels the nasal screech of comedian Eddie Griffin. Other than that, Mos is solid.

David Morse is large as the main villain. He injects his Det. Frank Nugent, Jack’s curved new supervisor and ex-partner, with equal doses of complexity, cynicism, and immorality. Nugent’s been around the block, knows the ropes and could care less about minimizing collateral hurt. Yet, a fragment of Nugent unruffled cares for his worn partner Mosley and regrets having to do him down. But, in the waste, he’s gotta do what a dirty cop’s gotta do.

Director Richard Donner gauges the tempo of this movie unprejudiced honest. Not too plodding, but not all out action, either. Oh, the action scenes are plentiful and charged with enough tension but they aren’t break-neckedly constant. There is sizable breathing room in between the pursuits, a perambulate which nicely suits Willis’s middle-aged, gimpy-legged hero, as he actually gets a chance to win in oxygen, in between exchanging gunfire and platitudes.

The sparse Special Features consist of an alternate ending not seen in theaters, several deleted scenes with wiseacre commentary by Richard Donner and his screenwriter, and a theatrical trailer. A film commentary would’ve been nice.

16 Blocks is a well-meaning movie that is introspective and thoughtful, yet strives to give the fans their money’s worth with its done-by-the-numbers shoot-em-up violence. There is a estimable message here trying to execute itself heard, thru the articulate of Eddie Bunker, that Pollyanna of a crook. The movie has a top-drawer star at the top of his game, who seems, in fact, to salvage better as he ages. And it’s got Mos Def, who I firmly contain will be heard from for a lot of years to near. Three and a half stars and a solid recommendation.

Veteran director Richard Donner (the first and best “Superman” and “Lethal Weapon”) does an top-notch job of entertaining things along in regards to the state as well as crisply addressing the psychological, correct and social implications of his characters actions in the terrific “16 Blocks.” And it helps tremendously to have Bruce Willis and Mos Def in the leading roles.

Willis: gutted, disheveled, disgusted with life and his job as an NYC detective, Jack Mosley… swigging out of a 5th of Canadian Club at 8 AM, limping from an injured leg, looking and acting every bit as a man who has given up on life and waiting for retirement so he can establish a bullet through his head. But there is a lot more going on in Jack’s head and Willis is very grand up to the task of giving him a truthful inner life that both grates on your nerves as well as touches your heart.

Though hampered by a cartoon character direct, the pleasurable Mos Def gives puny time crook Eddie Bunker emotional weight and depth. Eddie’s motto? “People can change” …a mantra that will resonate all through this film.

Donner has tackled some weighty emotional and social issues here: redemption by contrivance of the truth, set aside a life and that life becomes your responsibility…themes not usually associated with this type of police action relate. In fact”16 Blocks” reminds me very worthy of Sidney Lumet’s sublime “The Verdict” in its juxtaposition of the casualties of basic human nature and its failings and the morality or lack thereof of Justice.

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